Evening good souls.
I hope you’ve had a good day.
Go big or go home…
You might know this tune 💥
STREAM IT 🎶
RETWEET 🔁
TURN IT UP 💥
S P E C T R E
#SPECTRE #RT #SaturdayMotivation
open.spotify.com/track/7sSpyUvI…IGjy
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@Holden_Culotta @AlchemyAmerican @Holden_Culotta the MK-Ultra patient was NEVER the assassin, but is ALWAYS the diversion or #PATSY
@AlchemyAmerican needs to start investigating the #SPECTRE lest he becomes known as one of it’s Counter-Intelligence agents.
Know them by their ACTIONS + #Propinquity
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@PaulCli68311802 @LovingMyPinay @ZachBrowne Nice response, always they try misattribution or Replacement. They catch the idea we’re onto but always try and reDefine or reAttribute it to benefit themselves.
So many bots pushing shit eminating from a #SPECTRE source. Thanks for digging deeper than surface level understanding
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@angrykbird @drawandstrike @Holden_Culotta @angrykbird watch a movie with James Bond, in it you will see enacted the same type of organization known in the films as #SPECTRE
Trump has always been owned by this shadow entity, he is exactly what they proselytize and represents them in every form. The OP lacks discernment.
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@lana_asanin @samtripoli @lana_asanin the organization is colloquially known as #SPECTRE from the books of Sir Ian Flemming.
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“The CIA is not the top of the food chain.”
“The oligarchs are the ones really in charge.”
“Intelligence agencies work for them.”
Whitney Webb just broke down the truth about the Epstein class.
“This is who Epstein was really working for … ”
“There’s this transnational group that Epstein was part of.”
“He’s like middle management in it.”
“They are not overseen by any national government, nor loyal to any of them.”
“The public governments that we all know have basically been reduced to enabling environments for the policies made by these other people that are then filtered down through think tanks or philanthropic foundations.”
“The Gates Foundation, for example.”
“Epstein was setting up a lot of these philanthropic foundations that influence policy.”
“He was doing a lot of shady financial stuff, helping powerful people hide their money.”
“One of the funds that Epstein was involved in setting up was actually handling money for our current Treasury Secretary, Scott Bessent.”
“And he refuses to release Epstein’s Treasury records.”
“A key actor in this network testified to Congress in the early ‘70s about what was going on with this group.”
“I think he really gave it away, but they didn’t care.”
“It’s really brazen.”
“It’s Samuel Pisar, who was a lawyer.”
“He was Robert Maxwell’s lawyer and … involved with building up commerce relations between the eastern bloc and the western bloc during the Cold War.”
“What he argued in the early ‘70s to Congress is that what was happening was the creation of a trans-ideological corporation that was becoming the de facto power in the world, making the nation state irrelevant.”
“It was capitalist western multinational corporations entering into joint ventures with communist state-owned corporations.”
“These forces were essentially joining hands and creating a structure that was really running the world of economic governance.”
“So you see it back then in the early ‘70s being told to Congress: we’re making a sovereign corporation that runs everything.”
“It doesn’t matter what national governments do.”
“National governments bow to us.”
“And if you look at intelligence agencies, let’s take the CIA for example, they serve those same masters.”
“For example, if you look at the early coups of the CIA, who were they for?”
“Iran in [1953], it was for Anglo American Oil.”
“In Guatemala, it was for United Fruit Company.”
“The CIA’s regime changes are almost always at the behest of corporations.”
@_whitneywebb @jimmy_dore
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@SpyHards The Day of the Dead scene that opens #SPECTRE is visually striking (pity about the rest of the film), but for thrill, balletic elegance and beauty, you cannot beat Pierce Brosnan's leap off the hydro-electric plant that opens #Goldeneye.
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#ONEPROJEKT to lift the veil of #SPECTRE
Do more with less, so as to do so much, with so little, that we raise the standard of #LIVING for 100% of Humanity. The idea of there’s not enough to go around is the great con of mankind against itself #GreatFilter x.com/ryanperrella/s…
Please consider a half an hour with my dear friend R. Buckminster Fuller, who’s designs & ideas show how humanity’s focus to do more with less can take us forever out of the dog-eat-dog perversion which for all history has set the world at war with itself.
youtu.be/lDY1Mak2i_o?si…
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@ShadowofEzra @ShadowofEzra you need to learn the difference between the terms #Freedom & #Liberty for they are NOT interchangeable. Beware the #SPECTRE which makes powerful words meaningless & meaningless ideas mandatory. Jordan Maxwell & Statue of Liberty for example. youtu.be/2l4jsrx2o4Q?si…
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Décryptage de plan N°2 - James Bond #Spectre (2015)
Réalisateur : Sam Mendes
Directeur de la photographie : Hoyte van Hoytema
Ce qu’on observe en premier, c’est que tous les personnages du plan sont en costume noir. Ce choix permet de les uniformiser et d’effacer les individualités. Leur placement est symétrique et calculé, avec à chaque fois un personnage au premier rang et deux en retrait. Tout cela crée des placements millimétrés, très ordonnés, presque cérémoniels.
On remarque aussi que la composition guide le regard du spectateur grâce à des lignes de fuite et à des sources lumineuses bien placées. Tout d’abord, le regard est attiré vers le fond de la salle, car c’est la source lumineuse qui est la plus forte. Mais ce n’est pas le seul facteur qui guide le spectateur. Nous avons aussi la table centrale, qui ajoute de la profondeur à l’image, ainsi que les reflets de la lumière principale sur celle-ci. Tout cela guide le regard directement vers le personnage du fond, ce qui souligne son importance dans le cadre. On peut aussi repérer des lumières diégétiques sur le côté, qui forment elles aussi une ligne pour diriger notre attention vers le fond de la salle. Nous remarquons aussi que l’image utilise une palette de couleurs très resserrée, avec une dominance chaude.
Le personnage le plus intéressant est celui qui est au bout de la table, et le fait de le mettre dans la pénombre crée une sensation de mystère. Les personnages derrière lui s’organisent de manière symétrique, en se répartissant progressivement à gauche et à droite. Cela crée une sorte de pyramide qui converge vers le personnage en clair-obscur. Le personnage paraît séparé du reste du groupe ; il forme un pôle distinct dans la composition du plan. Cela lui donne de l’autorité et de l’importance. Aussi, on remarque qu’en matière de lumière, celle du fond est ce qu’on appelle une « rim light ». C’est une lumière de découpage qu’on utilise surtout pour souligner les contours d’une personne (cheveux, épaules). On remarque aussi que son visage est très légèrement éclairé par le reflet de la lumière sur la table.
Pour résumer, ce plan de Spectre montre une réunion très organisée et protocolaire. Les lignes de fuite et la lumière guident le regard vers une figure centrale dans la pénombre.
Note technique :
Évidemment, la source lumineuse du fond et les lumières diégétiques sur le côté ne suffisent pas à éclairer seulement le plan. Le chef opérateur a probablement utilisé des lumières au-dessus (hors cadre) pour accentuer les lumières principales et faire croire que la seule lumière vient de celles présentes dans le cadre (on appelle ça des lumières motivées). #Cinematography #cinema #film
Décors : Dennis Gassner
Costumes : Janny Temime
Étalonnage : Greg Fisher
Caméra : Arri Alexa 65
Optiques : Panavision Primo 70s
Format : 2.39 - Anamorphic
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